John Cage: Robert Rauschenbergs Notorious White Paintings have often been seen as the visual counterpart to Cage’s 4’33“. Cage recognised that the ‚emptiness‘ of Rauschenberg’s paintings was no such thing, writing later that he saw them as ‚airports for the lights, shadows and particles‘.                  (Morgan Falconer – Painting beyond Pollock)

Luci, ombre e particelle – Federico Fellini, Giulietta Masina & Oscar per „La Strada“, Roma 1957